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A Different Sort of Cage Match

September 27, 2010

Suvudu will never run a Cage Match like what I saw tonight. I just watched the Cardinals and the Raiders play one of the worst games EVAH. The Cardinals “won” 24-23. It wasn’t a victory for the Cardinals so much as proof that the Raiders Suck More. The Cardinals still sucked; they just Sucked Less. The whole thing was jaw-droppingly bad, except for that one immensely entertaining play where the Raiders fumbled, picked it up, then the referee got in the way and actually stripped the ball out of the running back’s hand, sailed ass over teakettle, and the Raiders retained possession because the ball went out of bounds. That was all just the Raiders and the Ref. The Cardinals weren’t really in that picture. I hope that play winds up on a highlight reel somewhere, because it was hilarious—an instant classic, actually, but they only did two replays on the broadcast. They need to put that thing on a loop!

Someone at the top of the Raiders’ organization must have done some incredibly naughty stuff to deserve karma like this.

Excited for The Walking Dead

September 26, 2010

I’m excited to watch other people deal with them, anyway…on TV. AMC’s new series, based on the graphic novels, looks absolutely spectacular. It’s going to be far more character-driven and tragic, methinks, than you’d see in a horror film, and it won’t be anything like the campy fun of Zombieland. You won’t see anybody sayin’, “You got a purty mouth!” before clocking a zombie with a banjo.

If a zombie apocalypse were actually possible, I figure it would look much more like this bleak vision: lots of drama, lots of tension, and a despairing hope for a new world. This Halloween, I’m staying home and enjoying TV…because outside of football games, I haven’t watched anything since Battlestar Galactica ended. Maybe I’ll actually get scared on Halloween for a change!

Still Life with Fantasy and Fruit #7

September 18, 2010

It’s been a while since I’ve been able to read anything for fun. Now that school’s back in, I tend to have other things to read. Here’s what I have to read this weekend:

That’s the typeset pages of my second book, Hexed, plus essays on The Crucible, a reworked paragraph from The Scarlet Letter, and some quizzes. Anybody who thinks teaching is a nine-to-five job doesn’t know jack about it. With all that on my plate, it’s tough to fit in any reading for pleasure…or writing, for that matter. But my editor sent me an Advance Reader’s Edition of Cherie Priest’s Bloodshot—it comes out at the end of January next year—and I’m tellin’ ya, it grabbed me. I stayed up late to finish it and I paid for it the next day, yawning at everybody, but wow. I was already a fan of hers after reading Boneshaker (see Still Life with Fantasy and Fruit #3), but this one has turned me into a fanboy. If you think Priest’s steampunk is good, wait until you try her urban fantasy! Emphasis on the wait, I guess, since you’ll have to wait before you can snag a copy, but it’ll be worth the wait, I promise! Take a gander at it here, chillin’ out with a Granny Smith:
Still Life with Fantasy and Fruit #7
Tough to say which looks tastier, isn’t it? Sweet cover—and an even sweeter story. Put it on your wish list. Speaking of covers, I’ve seen early drafts of mine, and I’m excited about the portrayal of Atticus! Can’t wait until I can share!
And while we’re on the subject of covers, I might as well throw in my two cents about photographic vs. painted covers, since I’ve seen a few posts about it recently out there on the Internet(s). Right now photographic covers in fantasy are very popular—they’re selling well—and some folks bemoan the switch from painted scenes to photographed ones. There are even conspiracy theories out there—that this is a cost-cutting move by publishers, or they’re trying to save time, even doing it out of sheer laziness.
Maybe they’re right…I can’t refute any of those arguments with solid facts or numbers, since I don’t have access to them. But it sounds a bit off to me, simply based on what I’ve been seeing with the production of my covers. Is it cheaper to hire a single painter for a cover, or hire a photographer, a model, and a designer/digital illustrator? I’m guessing the costs are comparable, if not even more expensive on the photography side. And in terms of laziness, I haven’t seen even a hint of that in my case. Del Rey has asked for my input on the character’s portrayal, and they’ve been fastidious about sticking to it. Honestly, I couldn’t ask for more. They got the hair right. They got the clothes right. They got the sword right. And since my character wears a cold iron amulet around his neck, together with some silver square charms with hammered designs on them, they had a jeweler make one from scratch so that the model could wear it during the photo shoot! Say what you want about costs and time savings, but that’s definitely not lazy; that’s scrupulous attention to detail. Perhaps I’m extraordinarily blessed to have a publisher who gives a damn—I certainly think so—but I imagine other publishers are doing the same with their authors. Take a look at Orbit’s covers for Gail Carriger—especially her latest—and you’ll see plenty of details.
I think using photography vs. paint is an attempt to make the characters more real for readers and bring that world alive in their minds. Judging by its success—we’re seeing photography used in epic fantasy now, not just urban fantasy (see Peter V. Brett’s The Desert Spear)—most readers appreciate it. I completely understand and sympathize with those who have different aesthetic sensibilities; there’s no arguing matters of personal preference. And there’s no denying that truly stunning paintings can add value to a book beyond the words inside. But I don’t think there’s a giant conspiracy of corner-cutting behind the switch to photographic covers; publishers are simply trying to compete and get their authors’ titles noticed and picked up. Some covers work better than others—I certainly hope mine work better—but that was also true of painted covers. I’m not going to wail and gnash my teeth over it; I like the photographic ones just as much as the old-fashioned ones.

A bulleted list of updates

September 14, 2010

•I have publication dates for all three books now:
HOUNDED, April 26, 2011
HEXED, May 24, 2011
HAMMERED, June 28, 2011

•In super-duper-happy-mega-big-jumbo news, I’m getting ultra-spiffy, full-color, finished-art ARE’s (Advanced Reader Editions)! Normally ARE’s are sent out with generic covers on them; they say the author’s name, the title of the book, and then there’s a nice houndstooth pattern or some diamonds or whatnot to look at, nothing more. Full-bore ARE’s are supposed to indicate the publisher is really behind the book, thinks it will do well, etc. so I’m extremely grateful and lucky to have the coolest editor evah. But it also means I’ll get to see some cover art a bit sooner than I thought! If you cannot feel my excitement pouring through the pixels at your eyeballs right now, then you are extraordinarily stable to the point of Stoicism! Squeeee! There. That did it. You’re excited now too!

•Whoa! I got my first fan mail! A relative of my alpha reader wrote me a very nice note after he finished reading HEXED. Completely made my week. Here’s a snippet:

The last fight scene was epic! I could picture it exactly–it was very easy to follow what was happening…I’ve read other books where I just get lost in the various battle sequences and I just end up skipping pages.  Boo to them.  You, sir, know what you’re doing.  Kudos.

Wasn’t that sweet? He said a lot of very nice things, but that bit made me all warm and fuzzy inside because fight scenes are extremely difficult for me to write. I count that as  high praise indeed. Thanks, Mike R!

•Possessed by whimsy, a couple of my friends are doing a parody of Beyonce’s “Single Ladies” video with me. We are all giant men. We won’t be wearing spandex or leotards because we’re trying to induce laughter rather than vomiting. Can’t wait to get it all shot and edited…we did the first part today, and it was quite a hoot!

•Getting into The Scarlet Letter with the kids at school. The Romantic writing style is a bear, but the story is first-class soap opera, man. And Roger Chillingworth is the most cold-blooded villain ever. Dude  creeps me out. I’ve had nightmares, because he just never gives up. And it’s funny how some adults have heard we’re reading it and they’re instantly down on it. “HATED IT!” they say. Well, it’s only because they’re still having nightmares about Roger F-ing Chillingworth. I mean, if you give Darth Vader, Freddy Kreuger, and Roger Chillingworth each a planet of people to make miserable, first one to make ’em all go insane wins, Roger F-ing Chillingworth will win. He is a master of mental torture. Puritan Guilt: It’s What’s For Dinner!

I’m the Man in the Box

September 11, 2010

Little known fact: I don’t just moonlight as a novelist. I also do play-by-play sports announcing for high school football. All levels—Frosh, JV and Varsity.

I’ve been doing it since the school opened, and I have to tell you it’s a lot more fun now that our football team is a bit better than it used to be. As the immortal Ebby Calvin “Nuke” LaLoosh said, “I love winnin’, man! Know what I’m sayin’? It’s like, better than losing?”

What’s NOT cool is that the media booth where I do my thing is a metal box without any air conditioning. So it spends all day heating up in the Arizona sun, and then it’s nice and sweltering when I get there. It’s quickly turbo-gross inside, and then for some bizarre reason, at about 7:15 pm without fail, a plague of tiny flying insects chooses to dive to their deaths on top of my player roster, the scoreboard controller, my scalp, etc.

“DIE, laddie!” I scream as I smoosh them to paste between plays. Once I forgot to turn off the microphone before I did this. It was misinterpreted, and I had to explain to a stadium full of people that I tend to talk to insects as I slay them. Sigh.

Tonight’s the first home game, and it’s always a good time. The band kids will be excited. The people who sell nachos will be excited. Heck, the people who eat nachos will be excited. And we have this tradition where someone does pushups on a splintery wooden board held up by fans in body paint. Sometimes these pushups are pretty gnarly. When it gets to be a high-scoring game, you have to wonder who can rip off 52 or so and look good doing it.

What I enjoy about high school games are all the reasons people are there. Some aren’t there to watch the game at all. Some are way too into the game, shouting at the ref and the coaches and yes, the players for doing something they perceive as “stupid.” Some are there to enjoy the atmosphere and people watch, and that’s basically what I’m up to in between plays. That, and wishing one of those cold trains of refreshment would suddenly blow through the stadium like you see in the commercials. None of that refreshment would probably make it up to my metal box, but it would be nice to be reminded that refreshment is possible. Oh, and look, Old Spice Body Wash Guy, I don’t care how awesome you are, you won’t smell that good after spending ten minutes in my booth. You’ll probably still look impossibly handsome, though, damn you. *envy*

Heading out now to be the Man in the Box…hope we win!

Where did the time go?

September 7, 2010

It’s been almost a week since my last post…I’ve been busy. School, you know. I’m finishing up The Crucible and about to start The Scarlet Letter. O, the calamities of Puritan drama! They’ll be begging for the Age of Reason soon.

But I was rather productive over the long weekend. The typeset pages of HEXED arrived and I finished a read-through, finding far fewer errors than I did for HOUNDED, so that had me feeling happy. Still, I found a tiny sequence where I wasn’t quite sure what was happening…I almost couldn’t believe I’d written it. Funny how time away from a manuscript can bring out little things like that. So I have some very minor tweaks to make—probably less than 30 words—and then that will be finished.

I also finished outlining book five, which is (at this moment) titled TRAPPED. My earlier idea for that book’s title was TEMPTED, but I decided that made it sound either like a romance novel or some sort of Food Network book about desserts. Romance and desserts are awesome, of course—especially together, isn’t there a subgenre called Calorie Erotica?—but that’s not the vibe I’m going for.

And hey, cheers to my followers in Australia—I think I have a couple, right? You’ll be pleased to hear that I got my contract from Oz today, and the publication dates for all three books are just one month behind the US release, so you’ll get HOUNDED in June, HEXED in July, and HAMMERED in August of 2011! I’m very excited about this and so happy that HarperCollins/Voyager decided to pick up the series!

Must go back to school now to announce the freshman football game. My play-by-play kung fu is the best in the East Valley. ;)

And my series title is…

September 2, 2010

The Iron Druid Chronicles. I got the official word today from my editor at Del Rey!

I love it! It sounds so badass! I have hopes that maybe a tiny dusting of its badassery will accrue to me, since I’m the author. ;)

I’ve waited a long time to know what the series would finally be called—almost a year. The original series title I’d queried with (and got the deal with) was ditched long ago: I’d called it The American Druid Series. But it quickly became apparent that it wasn’t appropriate for several reasons:
1. My Druid is Irish—as in, he’s really from Ireland. (That means he can never be President—is that a spoiler?)
2. It sounded like a vaguely patriotic title, and my Druid cares very little about the interests of any political entity, much less one that’s only been around for 234 years. (He’s 2,100 years old.)
3. The series goes far beyond the boundaries of America after the first couple of books.

What followed was a long journey through rivers of discarded ideas. This one’s my favorite, offered whimsically by my Assistant Editor, Mike Braff: “Druid, where’s my car?”

A large part of the problem was that “Druid” doesn’t scan well with other words. It doesn’t fall trippingly off the tongue, shall we say, when one is trying to formulate a phrase that’s simple and memorable yet captures the essence of multiple books in a series. When we strayed into ideas that didn’t have “Druid” in them, however, we ran into other issues—the titles sounded too sci-fi, or too mystery-ish, or sounded too close to other titles out there. “Iron Druid” came to me yesterday on the way home from the day job, and it was one of those facepalm moments, where you can’t believe you hadn’t thought of it earlier. Especially since I’d written that exact phrase on page six of Hounded. So I sent it off to the big house in NY, and they liked it, and now I imagine they’ll do something logo-ish with it to make it look even cooler than it sounds.

I want a T-shirt that says The Iron Druid Chronicles on it. I want the mug. The sheet set. And the limited edition Monopoly® game (I get to be Oberon!).

As if that news weren’t spiffy enough, Tricia (my editor) told me the typeset pages for HEXED are on the way! Woohoo! This is a very cool Wednesday.

The 3:2 Interview with Gail Carriger

August 31, 2010

Welcome to the fourth 3:2 Interview, where I ask an author three writing questions and two that are decidedly not about writing at all. Today I’m delighted to have a virtual tea with Gail Carriger. Gail is the bestselling author of the Parasol Protectorate series, an intriguing and vastly amusing mashup of urban fantasy tropes, steampunk fashion, and a Victorian comedy of manners.
Her main character, Alexia Tarabotti, is soulless—a condition that grants her certain powers in a London populated with werewolves, vampires, and other creatures of the gothic milieu.
Gail’s third book, Blameless, is available today at your favorite bookstore or online here.
KH: Gail, thanks so much for taking time out of your busy schedule to chat.
GC: Thank you for hosting me.
KH: I know that your books are primarily written to be entertaining—at which they succeed magnificently—but I also enjoy the subtexts of various culture wars. Alexia’s Italian heritage and her soulless condition mark her as “other” in Victorian London, and she becomes associated with quite a few “others” during the course of the series. Most often she fights back against intolerance with superior fashion and manners, and I appreciate the light handling of weighty topics and that the books do not ignore the prejudices of the era (and indirectly shine light on our own). To what extent are you consciously exploring these themes? 
GC: I do tend to prefer to take as light a hand as possible with even the most weighty of matters. I enjoy frivolity in all its many forms. That said, I am aware of some of the subtext. I am consciously playing with (and spoofing) Victorian bigotry and stereotypes. Alexia has some modern sensibilities, but in the end, she is a creature of her era. As the series progresses, readers get to see how this has colored her worldview – sometimes unpleasantly. As to some of the other themes of tolerance and tea addiction, I do think that an author’s beliefs are bound to sneak into whatever she writes.
KH: Taking a break from questions of great import, I know you’re quite the tea aficionado. Right now I’m drinking Earl Grey with milk and honey, but due to being American—an incurable condition, I’m told—I’m desperately afraid that this makes me a rather pedestrian consumer. Could you educate my palate a wee bit? What sorts of teas should I seek out to mature my hopelessly American palate? And might this question be of greater import than I thought at first?
GC: Oh dear, this is quite a serious matter, indeed. I’m afraid I have never been one to condone the consumption of Earl Grey – nasty perfumey bit of business. I’m a Twinings English Breakfast gold label drinker myself. Which I have to track down and import from England specially. It’s better than the American Twinings because it can be brewed strong enough for a mouse to run across without getting bitter. It should be drunk with a healthy dollop of whole milk. The milk adds just the correct amount of sweetness. Good tea, like good espresso, should not need a sweetener. If it is so bitter it requires sugar it is either over-brewed, under-milked, or bad quality tea. Or the tea drinker his ruined his palate with something utterly plebeian like – shudder – soda.
KH: Clearly I have months of rehabilitation ahead of me. :) How much of a distraction do you find social media like Twitter, Facebook, blogs and so on? Are they gigantic timesucks that threaten your ability to write anything? How do you balance the need to promote and connect with fans with the need to meet deadlines?
GC: A terribly big distraction, but social media has been very good to me. I try to be  self disciplined about it. When I have a draft due and a deadline, I spend about two hours on social media three days a week, and do things like schedule my tweets ahead of time, or hold off on blogging to save time. If I’m really doing badly at staying on target, I remove myself to a cafe that has no wifi. It’s difficult to balance because I want to be accessible and available to my fans, but I also need to write the next book or I won’t have any fans. Luckily, they are pretty understanding when I go dark. The hardest thing is the guilt, when someone takes the time to write to me I feel awful if I don’t write back immediately.
KH: Everybody wants to know more about bookshelf porn. (I can’t back that up, but I feel instinctively that it must be true.) You introduced me to the concept via your tweets, and I love it. Methinks the world would be better off if more people indulged. Which way do your tastes tend to run? The spare minimalism of modern shelves, the quirky shapes some of them employ, or the traditional wall unit of dark wood lurking in a study or library, faintly redolent of paper and glue and perhaps pipe tobacco? 

Are you a purist who claims bookshelves are for books and naught else, or a knicknacker who believes bookshelves are enhanced by the addition of objets d’art, clocks, and maybe even action figures? What does your perfect bookshelf look like, and what might we see on it?
GC: It often surprises people but I’m a strict minimalist. I have a bit of an OCD side so I like my environment very tidy: modern or slightly Asian inspired furniture, nothing steampunk or frilly Victorian about it. To that end, I once saw a photo of someone who had organized all the books behind their couch by color. I live for that. As things currently stand, I have a mahogany bookshelf that came from my Scandinavian grandmother – very severe, on which reside all my favorite genre paperbacks and a small stack of trade sized Young Adult books. Then I have two stacks of Baedecker’s (Victorian period travel guides) and some of my more frequently referenced primary sources. I try not to buy anything in hardback. Sharing the shelf is one small framed picture, a bobble-headed gold plastic octopus, and a vase of fresh flowers.  Hidden away in the wardrobe are my “messy looking” research books.
KH: Steampunk is going mainstream, if it isn’t already there. In addition there’s dieselpunk, atompunk, and a whole lot of other punks running around threatening to make people’s lives absolutely fabulous. Why do you think all these punks are suddenly so appealing in fiction? (And by “suddenly” I mean within the last decade.) Is it the next evolutionary step in fiction, an outlet for counterculture expression, a wistful longing for what might have been, or…?
GC: I have many theories on this. Part of the appeal, I think, has to do with our own sense of chaos and impending doom in America right now. This often causes people to seek out a time period that was more rigid and controlled, full of polite manners and forms of address. Steampunk has the advantage of being connected to an aesthetic that incorporates the maker movement and even the green movement. I think that is a large part of its charm: style, conscientiousness, beauty, and escape – all rolled into one.
KH: I can empathize with that immensely—the green bit especially. Gail, thanks so much for visiting with me! I can’t wait to read Blameless, and I wish you the best of luck with it!
GC: Thank you! And good luck with your own literary future.

Still Life with Dwarfs and Beer #5

August 28, 2010

I think there’s probably this preconceived notion out there that miniature dwarfs only defend meat and beer. But that’s a vicious lie—probably spread by miniature elves. Dwarfs acknowledge that consuming the occasional vegetable fends off scurvy and aids digestion. Hence the following:

 Still Life with Dwarfs and Beer #5

My good friend Sigurd Kneecapper is guarding my Greek salad and a delectable brew called Easy Street Wheat in an Ommegang Witte glass.

The Greek salad is simple stuff: Roma tomatoes and cucumber, chopped basil, sprinkled with feta cheese, olive oil, and fresh-ground black pepper. Easy Street Wheat is from Odell Brewing in Ft. Collins, CO, and it was recommended to me a couple weeks ago by Anonymous in the comments after I sampled 90 Shilling Ale from the same brewer (in Still Life with Dwarfs and Beer #3). Best Anonymous tip I’ve ever received—this beer has won five medals, including two golds, so you don’t really need me to tell you it’s freakin’ good! It’s exponentially more drinkable than that mass-produced beer that makes claims to drinkability, and it has just a whisper of sharpness to its taste that keeps it refreshing. Ommegang is a brewery in upstate NY near Cooperstown, and their Witte is very good. Their Three Philosophers Ale makes a guest appearance in my third book.

And now let’s take a closer look at the stout sentinel, Sigurd:

If you try to score some of my Easy Street, Sigurd isn’t going to make it easy for you. He aims low, you see—and I don’t mean because he’s a dwarf. He’s swingin’ for the knees first, and then when you’re down and screaming, he’ll leisurely swing that hammer at your squishy parts. You won’t be thinking about my awesome beer at that point.

I pay Sigurd very well to guard my grub. That’s why his (pick one) gromril/mithril/yourmomril armor is gold-kissed, from the chain to the plate to the spectacle helmet.

Remember to come back on Tuesday, when I’ll have my 3:2 Interview with Gail Carriger!

One Hundred Plus Three

August 25, 2010

Not sure if there’s some sort of numerological significance to this, but today marks my one hundredth blog post and my third novel accepted by Del Rey!

I have been smiling so much about that last bit that people have begun to fear me. They swerve out of my path and refuse to make eye contact, frightened that I might be happy at them.

I’m incapable of turning down the wattage, however, because at this time last year I didn’t even have a book deal yet (The deal happened on Sep. 25, 2009), and now—11 months later—Del Rey has accepted HOUNDED, HEXED, and HAMMERED!

And starting about eight months from now—April 26, 2011—people will finally get to read my books! The trick, I am told, is to make them aware of my existence between now and then. I hope I can manage somehow.

My release schedule—April, May, and June of next year—means readers will get to sink their mental teeth deep into the series right away. It also means I’m in a really weird place right now…the sort of place they never tell you about, and by they I mean all those people who write about the writing life…you know: writers. I’ve written three urban fantasies, but I’m still a few months away from having a cover or early reviews or any of those other shiny things writers like to gush about. And don’t get me wrong—I’m going to gush about my cover(s) and my (hopefully kind) early reviews, etc.—but in the meantime I’m a writer without any books to point at. It’s a funky state of being; I should probably take notes.

The reason they never told me about this place is that there truly aren’t many writers who have debuted in this fashion. From what I understand, I’m only the third to do so for Del Rey. I don’t know if other publishers do this or not…so maybe I’m the third, period. Naomi Novik began her wonderful Temeraire series this way, and Stacia Kane just got finished releasing her first three Downside novels last month.

I’ve been told my blog posts will start poppin’ up on Suvudu. Maybe it will even be this one—if so, hello there, nice person who clicked on a curious link! I should probably warn you that I will not simply be writing about my books. I tend to write about beer and miniature dwarfs and things of importance to nerds, and I do my best to post twice a week. I also like to interview other authors because I’m sort of a fanboy and easily impressed by smart people (my interview with Gail Carriger will go live a week from today, August 31). Browse through my archives to get a sense for it—I have 99 other posts here to enjoy! And if you say hi in the comments to let me know that you’re now aware of my existence, I’ll repay you by introducing you to Sigurd Kneecapper on Saturday—plus an awesome microbrew! :)

Author of The Iron Druid Chronicles, Ink & Sigil, the Seven Kennings trilogy, and co‑author of the Tales of Pell

© Kevin Hearne. All Rights Reserved.

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