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Dude. 2011 is looking AWESOME.

December 27, 2010

I’ve just kinda come to the realization that 2011 is going to be a banner year for entertainment. It’s like all the creative minds in North America are trying to release something before the great (zombie/Mayan/pasta) apocalypse of 2012. Let’s take a QUICK look at the first half of the year—and this isn’t an exhaustive list by any means, just the stuff that pings loudly on my personal radar:

January: Bloodshot by Cherie Priest. The Heroes by Joe Abercrombie.  Tempest’s Legacy by Nicole Peeler. The Warlord’s Legacy by Ari Marmell.

February: I don’t know, because I’m going to spend the entire month marking off the days until we get to…

March 1! The Wise Man’s Fear by Patrick Rothfuss! Gimme! In the theaters, I’m going to see Sucker Punch, a movie full of imagery that nerds will love. Dragons? Check. Robots? Check. Hot girls with samurai swords? Check. Mechanical suits? Hell yeah. Also coming later in the month is River Marked by Patricia Briggs and Ghost Story by Jim Butcher.

April: The River of Shadows by Robert Redick, coming out on the 19th, same day as…Hounded, my debut! Also coming out—Rage, by Jackie Morse Kessler, sequel to Hunger.

May: The movie Thor. See what happens when Marvel and Hollywood get hold of Norse mythology! And at the end of the month, my second book, Hexed.

June: Now you’ll see what happens when I get hold of Norse mythology! Book 3 of The Iron Druid Chronicles, Hammered, releases at the end of the month. The Thor in this book is quite different from the one you’ll see in the movie.

July: Another Kind of Dead by Kelly Meding. And there’s this movie franchise, maybe you’ve heard of it? Harry Potter comes to an end.

What are you looking forward to in 2011?

Meet Atticus for free!

December 22, 2010

I’ve been waiting a long time for the world to meet Atticus O’Sullivan, last of the Druids. April 19 (the release date for Hounded) seems sooo far away right now. But just in time for the holidays, Suvudu has posted a free short story called “Clan Rathskeller” that you can enjoy by clicking right here. (And clicking is free, I might add.)

Set ten months before the events of Hounded, the story will introduce you to Atticus and Oberon and give you a little glimpse of their world. I hope you enjoy it, and please tell everyone you know—because everyone you know likes free stuff, right?

Still Life with Fantasy and Fruit #9

December 19, 2010

I’m cheating a little bit with this one and including some science fiction. This is a good thing; ’tis not often anymore that I’m able to find science fiction that grabs me. But here goes, stuff I’ve recently read or will be reading shortly:

Still Life with Fantasy and Fruit #9

Amongst the grapefruit, apples, grapes and bananas you will find: The Human Blend by Alan Dean Foster, The Native Star by M.K. Hobson, Zero History by William Gibson, The Mage in Black by Jaye Wells, and Hunger by Jackie Morse Kessler.

Foster’s near-future world where the icecaps have melted and Miami is gone doesn’t seem all that far-fetched right now. I enjoyed this first installment of a three-book series, but since I’m a Foster fanboy, what else would you expect? I’m always entertained by his writing.

I haven’t read The Native Star yet—and I have to say that normally I wouldn’t pick up a book that has a romance-looking cover—but the old-west-steampunk-magic premise grabbed me. I’m looking forward to reading it…but probably not in public. There’s always that one guy in Starbucks who will check out what you’re reading and raise an eyebrow. I hate that guy. He’s usually reading an economics textbook.

Gibson’s Zero History was full of his delightful sentences. I wrote a post about them here. I mourn a little bit for the death of cyberpunk; its spawn are thriving (steampunk, et. al) but grandpa punk is either dead or gasping away in an iron lung. This novel, like the other Bigend novels, are set in the modern day.

I’ve just begun The Mage in Black (which inspired the apples here), and I’m digging it so far. I tried to find Jaye’s first book (Red-Headed Stepchild), but it wasn’t in stock at the store I visited, so I had to start with book two of her Sabina Kane series. Action! Explosions! Apples! And some funny bits, too! I’m not lost at all, so don’t be afraid to start here if you can’t find book one either.

Hunger was extremely moving and not. Fair. At all. Maybe I was in a vulnerable state of mind because of that guy at Starbucks—sure, let’s blame it on him, he’s a dick—but I got all weepy at the end and it took me by surprise. Highly recommended. I’ve already pre-ordered the second book, Rage, and a box of tissues.

Hope you all are reading something fabulous!

Gentlemen Broncos

December 16, 2010

I realize I’m extremely late to this particular party, but somehow this movie flew under my radar when it came out last year. My friends Alan and Alissa just made me aware of its existence and I’m still laughing over it. It’s a buffet of absurdity served with a side of cheese, and if you’re a writer or in the writing biz, or just a fan of absurdity and awkward social situations, this is a good time.

[youtube]http://www.youtube.com/watch?v=qdpFpfIBkXc[/youtube]

The opening titles alone are priceless—they’re old sci-fi covers with painfully bad art. But the story young Benjamin Purvis writes—YEAST LORDS—that’s truly hilarious stuff. Battle stags, surveillance does, backup nads—ha! Oh, man—I’m going to watch it again!

Lots o’ lovely news!

December 15, 2010

Completely, utterly thrilled to announce that The Iron Druid Chronicles will be published by Klett-Cotta in Germany! Not only do they have the coolest griffin logo I’ve ever seen, but they also publish fantasy titans like Tad Williams and—wait a second. I want to try something. Here goes: Klett-Cotta also publishes J.R.R. Tolkien, Patrick Rothfuss, and…me. *eep!*

Whoa. Since a thunderbolt from the literary gods has yet to destroy me for associating myself with Tolkien and Rothfuss in the same sentence, the only possible conclusion I can draw is that the literary gods don’t read my blog. As such, I am completely free to say heinous things like “I can’t stand Charles Dickens!” or “My life would be better if I hadn’t read Dostoevsky at such an impressionable age!”

I’m very grateful to Klett-Cotta, of course, and I am excited for a former exchange student of mine who helped me by translating some passages in Hexed. (You can see and hear her awesome work on the Goodies page; the phrases are read by another German exchange student currently at my school). She was hoping she’d be able to read the books in German, and now her wish will come true. In one of those cosmic coincidences, I’ve been thinking quite a bit about the German language lately, because I’ve recently rediscovered Letters to a Young Poet by Rainer Maria Rilke. Rilke himself wasn’t German—he was born in Prague—but he’s one of the premier poets of the German language, and what he has to say about the nature of creativity in Letters is just as inspirational to me today as when I first read it twenty years ago. What I’ve been wondering is what’s been lost in translation. I suspect that German readers will get the best of it, but still, it’s an amazing work in English.

Other news: I have a light little end-of-year thingamabob posted up on Suvudu now. If you click on over and read it, you will be confronted with (among other things) an excessively cute puppy and an excessively drunk miniature dwarf.

The other, other news: Though I still don’t have a date yet, there should be a free short story coming soon on Suvudu. It might be really soon…I’ll let you know.

Tech news I figured out five years or so after everyone else: If you register an email address with Gravatar.com, then use said email in the comment field, you’ll get a cool little avatar to show up alongside your comments! It’s not really important AT ALL, but neither is much of what we do in the name of Cool.

News I can use: Almost time for Winter Break. Looking forward to making progress on book four; I’ve had to leave it alone for a week or two because of finals and I need to get back into the groove. The Kid is looking forward to baking cookies with Grandma and the dogs are looking forward to anything that falls on the floor.

Stuff They Never Told Me About Publishing #2

December 10, 2010

Continuing the series about stuff I never found out until after I signed the contract. If you missed part one, here’s the link for it.

First, I’d like to give a shout-out to A.B, who commented on the first post—your suggestion was great and the backstage look at creating the cover is in the works. It’s a collaborative effort because it was a collaborative project; you’ll hear not only my side of things, but also my editor’s and maybe the designer’s as well. That’s coming sometime in January. For now, on with the goodies.

Laws in other countries actually apply to writers.

Hmm…that probably didn’t sound right. What I meant was, TAXES. Oh, and ROYALTY RATES. Both are going to be different from the United States if you get a foreign contract, and before you say, “Well, duh,” think about trying to keep track of them all if you sell rights to your book in, say, ten countries. Or, heck, pretend you went the full Rothfuss and got sold in thirty or so. And say that they’re releasing different editions in each one—mass market paperback in Australia, trade in Thailand, hardcover in Russia, etc. What surprised me is that you’ll have to fill out a tax thingy for the IRS to tell all those other countries not to worry, the U.S. will tax you on all that money just fine. If you don’t fill out the tax thingy—well, I’m not sure what would happen, but I’m sure I’d rather not find out. Something to make you rue the day you didn’t fill out the tax thingy. The point I’m trying to make (because I did want to make a point eventually) is that A) I’d never be able to keep track of this without my agency, B) I’d have no sense of what’s a good deal and what isn’t because I don’t have my finger on the pulse of Poland’s economy, and C) I’d probably never have any foreign contracts at all without my agency. I wonder how many foreign contracts unagented authors manage to secure. My (uneducated) guess is close to none. To people who say, “Dude, 20% commission on foreign sales is so whack,” I say, “Dude, I’ll happily accept 80% of any money that I never would have had otherwise.” So, in addition to these excellent reasons why you should get an agent from an editor’s perspective, an agent will open locked doors in faraway lands and prevent foreign revenue agents (also known as ninjas) from confiscating all your worldly goods.

There are known knowns and then there are known unknowns, and it all means we don’t really know

One of the things I’ve found astonishing is that there’s no efficient method in the industry to keep track of book sales. Months go by—yea, even a year sometimes—before people get a semi-clear picture of how your book is performing. All those Bestseller Lists are based on incomplete data and a lot of guesswork. It makes me wonder what arcane system “the people in Accounting” are using. (They are almost always called “the people in Accounting,” by the way, with a sense of mystical dread, and for me it evokes a picture of gray spectral figures huddled around an abacus.) I am sure there are good and sufficient reasons why this hasn’t been modernized; I confess that I’m not sophisticated in accounting practices and any discussion of numbers that lasts more than thirty seconds will send me screaming to find a happy place. Still, I’m suffering a bit of cognitive dissonance here. On the one hand, you have that calm, intellectual guy on the UPS commercials doing magic shit on a whiteboard and casually suggesting global domination using his company’s real-time tracking system; on the other, we won’t know for six months if your book got sold in a Kentucky Walmart.

I’m not going to worry. Every other author has dealt with it and survived because that’s just the way it is. But, um, why does it have to stay that way? If there are any smart cookies out there looking for a place to build a better mousetrap, tracking book sales could use the attention of a genius or two.

That’s all for this go-round. Hope that shed a scintilla of light on the business for the uninitiated. :)

I say it’s my birthday

December 9, 2010

Today I turn the big 4-0.

It’s on a Thursday, though, and like Arthur Dent, I never could get the hang of Thursdays. Oddly, I don’t feel like partying. I feel like I should get to work. It’s as if a wayward dungeonmaster dropped off a package this morning, and inside was the Cowl of Frickin’ Seriousness or the Cloak of Plodding Diligence. I’m wearing it now, and it has magically grafted itself onto my sternocleidomastoid. It won’t come off until somebody throws cake at me.

But nobody throws cake anymore. I haven’t seen anyone throw cake since 1976, and that’s damned peculiar if you think about it, because cake throwing is (if my nostalgia-colored memory serves) an exercise of almost unbridled joy. You get the satisfaction of throwing something messy at someone else, the entertainment value of wayward crumbs vectoring off mid-flight, and if you do it correctly there’s the pleasant chore of licking dollops of frosting off your fingers afterward. And then you duck, because once you throw cake, chances are someone will throw it back. These people in Las Vegas still throw cake, but the problem is that they’re in Las Vegas and I’m not:

[youtube]http://www.youtube.com/watch?v=61fYJVttpEs[/youtube]

Perhaps I will be ambushed by a bakery today. One can always hope. :)

Newsy things: I will have something of mine up on Suvudu.com on December 15. It’s the beginning of several somethings that will appear on that site. There will be a short story, available for free download, though I don’t have a date yet, and there will also be a behind-the-scenes look at developing the cover for Hounded before the end of January (I think).

Today’s subversive thought: Cake Fight Club. Talk about it.

Welcome to the new site!

December 7, 2010

Hello everyone! Whether you followed me before on Blogger or are new here, I’m happy you stopped by!  I hope you’ll take time to explore the site and come back here to the blog often!

Commenting is super easy. Go to the permalink for the post (if you’re not already there) by either clicking on the post title or on the link at the bottom of the post. The comment field will appear. Type in your name, do a basic math problem to prevent spam, and you’re good to go. You don’t have to register or fill in those fields with your email address and website. If someone gets ridiculous I may have to tighten up the rules, but right now the optimist in me prefers to believe that people are inherently good and I’ll never have to do that.

The blog will continue to be tweaked/expanded; I need to put in some links to my compatriots in The League of Reluctant Adults on the sidebar, and of course I’m going to play around with fonts and colors and so on, but at least right now we’re functional.

I gotta give a shout-out to my site designer, Sean Akers. He’s done a stunning job here and he’s been tremendously helpful. Here’s what it’s like to work with Sean:

Me: Can we do that one thing with the doohickey to make it cool and then do (incoherent babble) with the other page?

Sean: Yes.

See? He’s awesome! If you want/need a spiffy website, head over to check out his portfolio and tell him I sent you.

The Goodies page will be expanded in the coming weeks and months because I like providing free goodies. One thing that will show up there for sure is a free short story. That will come out prior to the release of Hounded. There will be more reviews on the Reviews page as we get closer to publication; you can laugh at the picture of five-year old me on the About Kevin page (and wish YOU had a vintage Spider-Man shirt like that); and there are a couple of new email addresses you can use on the Contact page if you’d like to shoot me a message. Again, welcome! Hope to hear from you soon!

Sentence Envy

December 4, 2010

Sometimes I congratulate myself for something I’ve written, a sentence or a phrase that I think is fairly succulent and worth chewing on for a while. But most of the time, when I read, I’m struck by Sentence Envy. Other authors write delicious things I wish I’d written. But there’s one particular author who writes sentences that just get in my head and kind of turn in circles, like a dog settling down for a nap, and then they rest there, fat and sassy, a tether to a different world. It’s William Gibson. Here’s what I mean:

The receptionist in the cool gray anteroom of the Galerie Duperey might well have grown there, a lovely and likely poisonous plant, rooted behind a slab of polished marble inlaid with an enameled keyboard.  —Count Zero

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines. —Neuromancer

“Call him,” he repeated, wrapped in Japanese herringbone Gore-tex, multiply flapped and counterintuitively buckled.  —Zero History

His worlds are at once slick and dissonant, a polished surface with an invisible coating of malice on top, constant tension embedded in the language itself. I can’t write like that, but I’m glad somebody does. If you’ve never read Gibson, you’re missing out one of the premier wordsmiths of our time.
Does anyone else get struck by Sentence Envy?

Stuff They Never Told Me About Publishing #1

December 1, 2010
You know those video games where all of the unexplored portions of the map are covered in darkness—they call it “fog,” and you have to go there to reveal what’s hiding? And sometimes the stuff that’s hiding is freakin’ awesome (like a special weapon or nummy digital food or an extra life), and sometimes it’s an obstacle you can’t get around and you have to go another way, and sometimes it’s stuff that wants to slay you and splatter your viscera on the walls? Publishing is kind of like that, except for the splattering viscera. The sense of adventure is really honkin’ cool, so if you’d like to learn everything as you go, then by all means, stop reading now. But for those aspiring writers who’d like to know, I thought I’d share a few things I didn’t find out about publishing until after the deal was made and I started walking through the fog. This will be an ongoing series with absolutely zero splattered viscera.
Book tours aren’t cost effective.
I’ve been surprised at how many people ask me if I’m going on a book signing tour. There seems to be an assumption that all authors do it. I knew that couldn’t possibly be the case before I signed my deal, but I didn’t know the reason why. I discovered that, economically, it’s not sensible for a publisher to lay out that kind of bread—airfare, hotels, meals and so on—when you might get twenty to sixty people showing up to buy a book at any given site. The publisher’s money would be better spent on marketing and social media networks. Most authors you hear/see doing tours have established reputations or prior celebrity status and are sure to draw big crowds of fanboys and fangirls. But debut authors like me? Nah. It doesn’t make sense to expect people to skip their favorite TV show and go to Borders on a Wednesday night to meet a dude they’ve never heard of before. What I’ll probably do is a few signings in Arizona because the books are set here, but that will be it to begin with. I’ll continue to appear locally as often as I can because it’ll be on my own dime. But honestly, a large part of this process is still in the fog for me, because from what I understand signings don’t get arranged until a couple months from the release date, and I’m still four and half months out.
You need a platform.
You have to blog and tweet “and stuff.” If you do it well, then you have this thing called a platform, and this is something you absolutely must have. Everybody says so. But here I must confess that I’m not too clear on why. It’s kind of like the importance of getting good grades in high school: all the adults tell you it’s vital for your future, and so you study for the quadratic equation test because you hope it will make sense someday.  That’s kind of what I’m doing with my blog. I try to provide some info for aspiring writers (because I know what it’s like to be one) and some entertainment as well (mostly for myself), but I’m sort of in a continuous cringe, waiting for someone to swoop in and say, “No, no, no, McFly, you’re doing it wrong!” And I’m also waiting for someone to explain exactly how x number of followers on my blog or on Twitter translates into x number of sales I wouldn’t have had otherwise. I don’t mind blogging or tweeting—I enjoy both quite a bit! But I don’t understand how the mechanics of this platform thing truly works. (Does anyone? I’ve heard of social media experts, but I don’t know them socially, so how expert can they be, right?) This is one of those things that don’t get adequately explained to newbie authors and thus you might as well get used to it. You need a platform because everyone says so and everyone’s doing it. Now go and build one, and don’t forget to write your next book. ;)
There are many people involved in publishing a book, and they’re all awesome.
Agent. Editor. (Those are the two I knew about because those are the people aspiring writers are understandably obsessed with getting to.) But since the deal, I’ve played jokes on my Assistant Editor and have been pranked in return. And then there’s the Copy Editor. Managing Editor. Marketing Dude. Publicity Dude. (Marketing and Publicity are two different departments and I didn’t know that before; I know who my marketing fella is, but I don’t know who’s in charge of my publicity yet—that’s still in the fog.) Typesetting House. Art Director. Photographer. Model. Digital Artist. A department of people who deal with Subsidiary Rights. The nice lady at the security checkpoint in the Random House building who prevented me from injuring myself. There’s somebody named Phil in Accounting and he sounds like a cool cat. And then there’s the printer, of course, and the people in Sales who take my book to the buyers for the bookstores and say LOOK, THIS BOOK IS FRICKIN’ RAD AND I WILL BE YOUR BEST FRIEND IF YOU MAKE YOUR EMPLOYEES TACKLE YOUR CUSTOMERS AND THRUST IT INTO THEIR HANDS! And we can’t forget the distributor, the warehouse workers, the nice guys who drive my books around, and the spiffy people who work in bookstores and never tackle their customers. I’m sure there are plenty more but I’m not aware of their existence yet. All those people have buttloads of work to do to make sure my book hits the shelves on time and calls to people with the lure of a siren. They come online at different stages of the process and I couldn’t possibly thank them all, but once you think about it, it makes sense why it takes about a year for a book to get “out there.” And it also makes sense why self-publishing often doesn’t work out so well; it’s because you’re trying to do all those jobs yourself and you can’t.
That’s all for this installment. If you’d like to hear about something specific, let me know. :)

Author of The Iron Druid Chronicles, Ink & Sigil, the Seven Kennings trilogy, and co‑author of the Tales of Pell

© Kevin Hearne. All Rights Reserved.

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