They didn’t tell me they would be shiny! I just got what they call sales proofs in the mail—these are what the sales folks take around to bookstores and say, “See, if you’re going to judge a book by its cover, then THIS ONE WINS!”—and the title that was previously white text is now foil stamped and embossed! I had no idea they were going to do that until my editor told me they’d gone ahead and done it. My scan doesn’t do it justice, but you’ll get the idea:
Well, my peeps at Del Rey outdid themselves with these covers. I love ’em! They are going to gleam on the shelves! Ginormous thanks to authors Ari Marmell, Kelly Meding, and Nicole Peeler for reading the book before the awesome cover existed and saying something nice about it. That truly means the most, because they didn’t have to read it or say anything nice, yet they did.
I really dig this one because you can see Atticus’s tattoo much better; it wraps five times around his biceps and then falls down the top of his forearm, but you can’t see that in the pose for Hounded. This cover has a couple more touch-ups to go before it’s finalized, but it’s 90% there and they needed to get a proof out for the sales team. I think it looks spectacular as is! Hope you dig ’em too.
There’s a pretty cool post over at SFWA by Victoria Strauss about gettin’ published: It’s not a crap shoot. She addresses three assumptions made by grumbling, rejected writers, and while I urge you to click over and read her original post, I’d like to piggyback on those assumptions based on my own recent experience.
1) First assumption: All manuscripts are on equal footing in the marketplace. As she says, that’s completely untrue, and I’m not talking about anyone’s writing but my own. The two books I wrote, submitted, and had rejected before I wrote Hounded were not all that great, though I thought they were okay at the time. Only with experience and hindsight did I see that they deserved to be rejected. Yet I don’t regret writing them; I learned a lot in the process and they got me to a much better place in my craft. If you’re on submission right now, write the next book while you’re waiting; it’ll probably be better than the one you’re shopping around. (It worked for me.)
2) Second assumption: The industry doesn’t want new writers. Not sure how anyone can believe this one. I just read a great debut by Mark Hodder called The Strange Affair of Spring-Heeled Jack. And my fellow inductees into The League of Reluctant Adults, Sonya Bateman and K.A. Stewart, came out with their debuts this year. I’m obviously a new writer, and there are plenty more on deck…so I think that one’s wishful thinking, whoever thinks it.
3) Last one: No one wants a writer without a platform. Strauss says this assumption is more true for nonfiction writers than fiction…and she’s right. I’m still trying to build my platform; I wrote and sold my book without knowing what a platform was. In fact, I’m still not sure about the whole platform-building thing, since I’m such a newb to this aspect of the business. What I probably need is some help from my pug, Manley (named after the poet Gerard Manley Hopkins). Come on: How can you not follow a guy who has the devotion of a pug like this?
There’s a barmaid who’s sure
Though I suppose I could be accused of bias when I say “I LOVE IT!” it’s true nonetheless. The cover for Hounded is awesome; Del Rey has captured Atticus perfectly!
When Tricia & Mike (my spiffy editors) told me that Advanced Reader’s Editions were on their way, they made one request: have someone take pictures of me opening the box. They know I’ve been waiting to be published a long time, and to see my book bound and printed for the first time would be, in the words of our vice president, “a big f#%!ing deal.” I agreed readily, not knowing what torture it would be…
The box arrived on Friday; I arrived soon after. BUT NO ONE WAS AROUND TO TAKE PICTURES. I couldn’t open it! I could have gone to a convenience store and made the clerk take pictures—I was thinking such things—but not seriously, because I wanted my family to be around when I opened it; they’ve been waiting a long time to see the book too. I had to wait three hours for my wife to get home, gnawing on my fingers the whole time, staring at the Box of Joy that I could not open.
It taunted me with its Random House return address and its priority overnightness:
Do not be alarmed by my strange expression in the next picture. I’m petting the box and purring, see. Well, okay, be alarmed if you’d like.
….Words fail. All I can say is that there’s nothing like a dream coming true, and I couldn’t be happier.
Below is my photo of the ARE cover. I apologize for the wee bit of glare. Also, the icons on the charms aren’t really coming through on this picture—all you see are black squares—but you’ll see them “for reals” with your naked eye, and they’re sublime. I’ll have the cover art file later, but for now enjoy the ARE:
The shocking news first: I have discovered that there are some human beings—sharing the planet with us right now, I might add—who don’t like pie. Until today, I was not aware that this was an option. I’m actually thinking that this is an elaborate hoax perpetrated by my students, and those who protested to me that they seriously don’t like pie are being contrary. I am tempted to dismiss it all as teenage rebellion. I mean, how can you look at this…
No…really! I’ve joined the League of Reluctant Adults at their invitation, and I’m thrilled! What is the League?
Well, it’s a group of 23 authors (including yours truly) who write Urban Fantasy and Paranormal Romance. We get together during conventions and whatnot to hold group signings, do unspeakable things to action figures, etc. I haven’t met any of my fellow Leaguers in person yet, but I’ve read quite a few of their books and I know from that experience that they’re brilliant. For example, there’s Nicole Peeler, Kelly Meding, Stacia Kane, Cherie Priest, Anton Strout…and more!
Go visit the League here and follow us! Nicole Peeler is introducing/hazing me sometime today on the site, so you’re sure get a laugh or two. You might have to scroll down to find me (depending on when you click over there because two other authors will be introduced), but it’ll be worth it—Nicole is pretty funny.
Right now I’m on October break—a week off in between quarters. It’s an excellent time o’ year to be off work in Arizona. The weather is freakin’ perfect.
Today was an especially cool day. I all but finished copy editing Hammered, I got invited into a SUPER! SECRET! club (which won’t be a secret on Monday because I’ll blog about it then), I hung out by the pool at an awesome resort with some friends of mine, hit the comic book store to pick up Chew #14 and Northlanders #33, then walked into a used bookstore out here called Bookman’s.
Here is what happened when I walked into Bookman’s with my daughter:
UNKNOWN FEMALE VOICE: (shock, excitement) Mr. Hearne!
Hearne turns his head to the right. Two students stand agape at the vision of their English teacher existing outside of school.
I’m on my October break—which means a week off from school—and having a WHOLE! WEEK! to read and write and run errands during normal business hours sounds like a swim in milk chocolate right now.
My copy edits for Hammered are going to arrive today, so of course I’ll be diving into that, and I’m hoping to finish up my outline for book six this week, which is currently wearing the tentative title of Hunted.
My outlines are about 10-15 pages. I’m making them longer and more detailed than I used to because I saw the advantage of it while writing Hexed; the detailed notes I’d written on Hexed allowed me to crank it out in five months, and it was also far easier to edit/prettify than Hounded or Hammered, neither of which had detailed outlines. So I’ve learned quite a bit about myself as a writer—I can write as a pantser and as a plotter as well—but wow, the job sure gets done more efficiently when I plot. That doesn’t mean I slavishly follow the outline, either—I change things as I go, especially the order of events. I’ll probably post my Hexed outline after the book comes out so people can compare what I’d planned against what actually got written.
Here’s what I plan to read this week:
We have three miniature fruits here alongside a giant variation of another. Miniature Clementine oranges, a wee watermelon, and a petite pumpkin frame Scott Westerfeld’s dieselpunk Behemoth, while huge table grapes called Pristines nestle against the steampunk succulence of Cherie Priest’s Dreadnought.
I loved both Leviathan (Westerfeld) and Boneshaker (Priest), so these sequels are going to be delightful returns to worlds I enjoyed on my first visit. I especially love that Dreadnought is printed in brown ink like Boneshaker was.
In other news, Suvudu is starting their Villain Cage Match! TODAY! You can go vote now for who should fill in the last few slots in the bracket here.
And when the first round starts, one of the matchups will be introduced by Yours Truly! The bracket is public now, so I’m not going to be spoiling anything with this: I’ve written up the White Witch from the Chronicles of Narnia (Seed #5) vs. Gaius Baltar from Battlestar Galactica (Seed #28)! I hope you’ll follow along and join in the fun by voting! These Cage Matches are the coolest thing ever…it’s a chance to feed the Nerd Inside. So say we all.
A couple months ago, the Rim Country Chapter of Arizona Press Women invited me to speak in Payson about writing genre fiction and how I got my start, and I accepted gladly. I’ve had plenty of practice keeping high school kids entertained for an hour, but could I do the same with adults? It turned out to be two hours. Once I got going I found out I had more to say than I thought. And they paid me a huge compliment—when the organizer asked about halfway (??) through if anyone wanted to stop and take a break, no one wanted to go! So that gave me warm fuzzies and I’m glad it wasn’t a snorefest.
It was held at the East-West Book Exchange, an extremely cool little place with some gift shop goodies and a coffee bar (free wifi!) in addition to books and a lovely room that they rent out for yoga classes and small events like mine. Owners Chip and Lisa Semrau are gracious people and their mochas are fantastically good. Like holy-crap-I-think-Starbucks-sucks-now kind of good.
There were 35 people there, which I thought was fairly decent considering that I haven’t even been published yet. Many of the people I spoke to had already been published in nonfiction markets but were curious about how to break into fiction, so I explained why getting an agent is a Really Good Idea and how one might best accomplish that, and I also spoke about urban fantasy tropes and the glorious fun of steampunk.
I saw some folks in the audience taking notes and they had some great questions afterward, so I hope it turned out to be helpful. I like to think of the market as a giant pie, and everyone should have a slice.