Tag Archives: Hammered

A Deal is Made, a Book is Finished!

Happy dancing abounds, for Harper Voyager in Australia is going to publish Hounded, Hexed, and Hammered! I hope all the Aussies and Kiwis really like the books and make me come down there. ;-) The plan is to release them simultaneously with the US editions, so that’ll be April, May, & June of next year.

Today I also finished Hammered—or my first draft of it, anyway. This makes me happy because I’m still a month out from my due date. I’m going to read it all through with a critical eye and make some minor revisions suggested by my alpha readers, then I’ll send it off to my beta reader and my agent. Delivery to Del Rey will follow shortly thereafter.

I’ve kept tabs and posted plenty of updates on the writing of Hammered for my own curiosity, so that I could go back at a later date—say, this one—and see if anything interesting emerged. I’m going to take a more in-depth look at my archives later and see if I can make a fancy chart, but the first thing I’ve noticed is that this one took a bit longer to write. It’s to be expected, really: I knew when I finished Hexed I’d probably never write that fast again. From the first typed word to final delivery in New York, it took me only five months. Hammered is already pushing six months and it’s still not ready to deliver…but it will be soon. The takeaway here is that I wrote two novels in 11 months. I didn’t know that was possible for me until I did it. :-)

Also, I’m getting very excited because next week I get to meet my agent and editor in person for the first time! Here is what I know about them so far:
1. Evan is male.
2. Tricia is female.
I think we’ll have plenty to talk about, don’t you?

Some days are better than others

You probably noticed before now.

But when one has a really good day, the question must be asked, why was it so good? Can we isolate the goodness? Did it involve small furry animals at their cutest? Pizza at its tastiest? America’s home videos at their funniest?

For me, really good days are those of staggering accomplishments, and today I accomplished a stagger, amongst other things.

Fueled partially by beer and partially by this incredibly hypercaffeinated song called “Valley of the Damned” that I had playing on loop, I wrote 4,000 words today. Usually I manage a mere thousand or a little bit more. It probably helped that I was writing a battle sequence between my Druid and twelve Valkyries. I mean, you’re not going to listen to DragonForce with the speakers turned up to 11 when you’re trying to write a poignant mother-daughter scene in a melancholy train station. Or maybe that’s exactly what you’d do, because you’re just that edgy…I don’t know. ;-)

But when you want to have a really good day writing about people swinging swords at enemy appendages, you owe it to yourself to start out watching this video, which is what happens when the Platonic Ideals of Luxurious Hair and Manual Dexterity meet. Seriously, endure the commercial at the beginning, watch the whole thing and you’ll be amazed. By the time you get finished watching the part where they have isolation cams on the guitar players’ hands, you’ll want to go get some high quality shampoo and conditioner, scrub it into your scalp really really fast, and then write about people killing each other. Heh!

74K now on Hammered. Next up, the climactic battle in Asgard! I just need to find the right song….oh, wait! Here it is! If that can’t inspire me to write up some total carnage, I’m doomed. (Though I think parts of this video are unintentionally funny…)

Summer’s here (for me)

School’s out! I get to write full time now, and catch up on all the things around the house that have gotten away from me. Like, you know, the entire backyard.

Good news! My typeset manuscript for Hounded is here—the galleys, I believe they’re called—and they’re simply beautiful to look at. Seein’ my first book in print like this has had me grinning like an idiot all day. There are little boo-boo’s to fix here and there, typos that creep in during the process, you know, but nothing serious. In other good news, the manuscript’s been sent out to a few other authors here and there for blurbs, so I might have some of their spiffy (and kind) words to share down the road.

As I’m leading up to the big finale in Hammered, I keep changing my mind about who’s going to feel the pain and how. I wonder if it’s like that for the Fates (or the Norns), trying to figure out which thread to cut and how to knit the others together afterward.  I’m even throwing in a couple of the Norse gods—Heimdall and Tyr—that I hadn’t originally planned for, because more mayhem and peril is always a good time. My plans for the fate of Freyja have also changed…

Coming soon: a puppy cuteness overdose (we have a Boston Terrier pup), another Still Life with Fantasy and Fruit, and a red-bearded dwarf named Olaf Umlaut.

Narrative Voices

Since my books are first-person narratives, it’s easy to get into a bit of a rut. Ruts can be nice, mind you. Sometimes they’re downright comfy. But sometimes you’d like to put on a new pair of shoes and step out of that rut. Stretch your legs, go on a minor perambulation off-road, discover wombats lurking in the undergrowth. Find buried treasure. Or simply find out where the hell this metaphor is going, because I’m not sure anymore.

I’ve been stepping outside the (entirely pleasant) rut lately. For five chapters in Hammered, I get to tell the story in the voice of a different narrator. Making each narrator sound (and read) differently than my accustomed narrative voice is the fun bit. And it’s really bizarre what it can do to your head when you sink yourself so deeply into a character that you begin to think like him.

One of my characters is especially hirsute—as in, don’t let him make you any food without a full-body hairnet. After writing in his voice for an hour, I was overwhelmed with an urgent need to shave. And get a haircut. I actually felt hairier after writing and thinking in his voice.

That might indicate I have a dire need for therapy. But I hope it means I’m writing a lively character with his own personality.

Hmmm. If writing a hairy character makes me want to shave…I think I’ll create a skinny character next and drop ten pounds after writing a thousand words in his voice. And I will never, ever write a criminal because I like living outside of jail.

I know not how others do it, but I create a very specific set of verbal tics for each character. Leif Helgarson doesn’t use contractions often, for example, giving his diction an almost ridiculous level of formality. A Russian character neglects to use articles and often forgets to use pronouns, etc.

51K on Hammered now. For some reason, being over 50K makes me feel like I’m sprinting for the finish line. I do a little “Halfway!” dance all through the 40s, but once I hit 50K I know I’m on the home stretch. D’oh! Writing “home stretch” made Mötley Crüe’s “Home Sweet Home” pop into my head. And now that I’ve written it down and you’ve read it, it’s in your head too. I’ve said it before and I’ll say it again: Mötley Crüe is a virus.

Halfway There

The third book’s been tougher than book two; the demands on my attention thus far in 2010 have been many and varied—you know, life—and there’s much more to do in the way of world building for this one. Still, I’m over 40K words on Hammered as of today, and since I was hoping to reach that number by May 31, much less May 5, I’m pleased to be ahead of schedule.
We’re thinking of getting a new puppy and my daughter wants to name it Boba Fett, regardless of whether it’s male or female. I’m not sure whether to be proud or horrified. Perhaps I could try being proudly horrified, or horrifyingly proud…
Today is an excellent day to drink a margarita—and not a cheap house margarita, either. I’m talking about the fancy-schmancy ones. Rocks, no salt for me. Cheers.

Copy Editing Day

Today I am supposed to receive the copy-edited manuscript for my second book, Hexed. I’m incredibly excited about this—so much so that I might indulge in excessive superfluous exclamation points!!!!!!

You might wonder why.

Why would any sane person want to see their written work all marked up by a stranger 3,000 miles away?

Because there will be a title page with my name on it that the publisher made up all special just for me. There will also be an ISBN number assigned specifically to my book. It’s all proof that my dream of getting published will be real someday…in just a wee bit over a year from now. *tiny groan*

April 26, 2011…*another tiny groan.* It’s a long time to wait. Nineteen months and one day after the deal was struck, Hounded will finally hit the shelves. That is a bit longer than most deals, but since it’s going to be followed in quick succession by Hexed in May and Hammered in June, the extra time is built in there for me to actually write two books.

It will be bearable, of course, because the day will eventually come. I get to wake up every day and know I’m twenty-four hours closer to my goal. Eventually I’ll get to see my covers and do a little dance. I’ll get to hear the reader of the audio version attempt to do all the accents in the books (Irish, Polish, Tamil, Russian, Finnish, Mandarin, Icelandic, and German) and grin until my face hurts. And maybe, in the interim, I’ll get some good news from overseas, or some news about dramatic rights. It could happen anytime, and that makes waiting more fun.

As far as progress goes, I’ve taken a step backward, but I think it’s more of a course correction. I’ve been writing about these vampires recently and not digging it at all. I wrote about four thousand words, had this huge imbroglio set at University of Phoenix Stadium, and it didn’t feel right. So I highlighted the lot of it and pressed Delete. It wasn’t really a subplot; it was more of a derailment, a complete tangent, and it’s better that I wait on the vampires until I can develop them properly in their own story. Hammered isn’t about vampires. It’s about Ratatosk and Yggdrasil, Thor and Odin, and How to Tempt a Frost Giant.

O frabjous day! There shall be many words to cuddle, plus hot chocolate with marshmallows! I raise my mug to you, and hope you have some lovely words to cuddle up with too.

O, Iceland!

I expect there are many people staggeringly inconvenienced by Iceland right now. People who have never looked at a globe are now scowling at it, shaking their fingers scoldingly at the volcanically active island and complaining about their cancelled flights. I don’t know why they’re so surprised. I mean, you could just take a look at this map of Iceland from 1590 and know that someday it was going to throw out some serious shit:

Iceland: This map tried to warn us!
Look at those mutant critters swimming around everywhere! Why, some of them have the characteristics of land creatures! Some of them have antennae! Some of them have even learned how to walk on water! (I especially like the hippocampus near the bottom left.) 
In one of those minor cosmic coincidences that crunchy hippie people in the 90s might have called “very Celestine,” I’ve been writing about Iceland recently in the third novel in my series, Hammered. Two of the characters are from there, and a third has an unfortunate meeting with Thor while staying near the modern-day town of Eskifjordur. While doing some basic background research yesterday, I’d just finished reading about how volatile and unstable the geology was when the news blared out at me that Eyjafjallajokull had announced its presence with authority. This is how Eyjafjallajokull says hello:
Howdy, world! I dare you to say my name!
After the dust settles, I’m going to have to visit. It’s such a fascinating hunk of rock and not entirely covered in ice at all. The geothermal vents all over the place tend to heat things up, and ocean currents keep it fairly temperate even though it’s above the Arctic circle. Since my fictional characters owe so much to their land, I owe it to them to see the nonfictional reality of it. I’m looking forward to the trip! You know…someday.

Serendipitous surprises

I love it when something cool happens in the writing process that I didn’t plan ahead of time. Just like a reader enjoys being surprised (most of the time) by what happens in a book, I like to be surprised while I’m writing it. It’s a large part of what makes writing enjoyable. The characters take on a life of their own and do things I never expected, and sometimes these surprises turn out to be major plot points.


When I’m planning a book I write chapter by chapter outline that contains the major events of each chapter, nothing more. It’s a guideline with lots of room for detours. Sometimes the detours are lengthy.


For example, in Hexed I had a priest and a rabbi walk into a pagan bookstore as a joke and it turned out to become a major subplot of both that book and Hammered


Right now, as I’m writing Hammered, a trip to Asgard that I thought was going to take one chapter has now taken four. And because of the way things have developed, there is going to be a vampire problem that I never outlined at all, but I can’t wait to write it. Jesus was to make a cameo appearance in chapter four, but now he’s going to be pushed back to chapter nine or ten because of other events that have developed in the meantime.


After the book is finished I like to compare the outline to the finished product. All the events of Hexed I had outlined are in there, but they’re in a different sequence than I originally planned and there are several bonus events that crept in, like the priest and rabbi subplot.


25K on Hammered now. And if anyone knows a reliable Hebrew speaker, give me a shout; I need to translate a couple of sentences for the book.

Four cool things

Today I installed TweetDeck as opposed to Tweetie and I think I like it a bit more. It automatically shortens URLS (Tweetie didn’t) and makes shortened links to pictures on the web if you just drag ’em in there. So that’s cool thing number one. (If you’re not following me on Twitter, the username is kevinhearne.)

Got the taxes finished and they weren’t nearly so bad as I feared. Cool thing number two.

I get to hang out by a pool tomorrow when many, many people elsewhere are still freezing. Cool thing number three.

I’ve found a small groove to write in; I’ve only managed spastic fits here and there the last few days but I think I’ll have time to write the rest of the night now—cool thing number four. 23K on Hammered.

Coincidence? I think yes!

Thor the movie is currently set for a release date of May 6, 2011. My books, which all mention Thor and feature him prominently in book three, Hammered, will be coming out in May, June & July of 2011.

This is entirely coincidental.

Likewise, any similarities between the representations of Thor in the movie and in my novels are also coincidental, because both are based on original mythological sources. In the movie, Thor will have a hammer. In my books, Thor will have a hammer. That’s because in the mythology…Thor has a hammer.

Someone will doubtlessly wonder, however, if my books were influenced in any way by the movie—or in any way by the comic.

No. The answer is no. My characterization of Thor is quite different. Looking at the cast list on IMDB, I see they’re using gods and goddesses I’m not even mentioning, such as Frigga & Sif, & I’m certainly not using Volstagg, who’s not in the original mythology at all but is rather a creation of Stan Lee.

Also, consider this: Hammered will be finished by July 2010. Its plot, however, and Thor’s basic character, were written/conceived in 2008—all of which is long before I could possibly be influenced by the Marvel’s movie being released in May 2011.

As for the comic, I’ve never read it. It might be good; I don’t know. I have no plans to read it. The best Viking-themed comic out there is Northlanders, but it deals with the Viking people rather than their gods.

And now for a completely random fact: I prefer crunchy peanut butter.