Tag Archives: Hounded

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Copy Editing Day

Today I am supposed to receive the copy-edited manuscript for my second book, Hexed. I’m incredibly excited about this—so much so that I might indulge in excessive superfluous exclamation points!!!!!!

You might wonder why.

Why would any sane person want to see their written work all marked up by a stranger 3,000 miles away?

Because there will be a title page with my name on it that the publisher made up all special just for me. There will also be an ISBN number assigned specifically to my book. It’s all proof that my dream of getting published will be real someday…in just a wee bit over a year from now. *tiny groan*

April 26, 2011…*another tiny groan.* It’s a long time to wait. Nineteen months and one day after the deal was struck, Hounded will finally hit the shelves. That is a bit longer than most deals, but since it’s going to be followed in quick succession by Hexed in May and Hammered in June, the extra time is built in there for me to actually write two books.

It will be bearable, of course, because the day will eventually come. I get to wake up every day and know I’m twenty-four hours closer to my goal. Eventually I’ll get to see my covers and do a little dance. I’ll get to hear the reader of the audio version attempt to do all the accents in the books (Irish, Polish, Tamil, Russian, Finnish, Mandarin, Icelandic, and German) and grin until my face hurts. And maybe, in the interim, I’ll get some good news from overseas, or some news about dramatic rights. It could happen anytime, and that makes waiting more fun.

As far as progress goes, I’ve taken a step backward, but I think it’s more of a course correction. I’ve been writing about these vampires recently and not digging it at all. I wrote about four thousand words, had this huge imbroglio set at University of Phoenix Stadium, and it didn’t feel right. So I highlighted the lot of it and pressed Delete. It wasn’t really a subplot; it was more of a derailment, a complete tangent, and it’s better that I wait on the vampires until I can develop them properly in their own story. Hammered isn’t about vampires. It’s about Ratatosk and Yggdrasil, Thor and Odin, and How to Tempt a Frost Giant.

O frabjous day! There shall be many words to cuddle, plus hot chocolate with marshmallows! I raise my mug to you, and hope you have some lovely words to cuddle up with too.

writing

Three Writing Myths Busted

I like encouraging folks to write. It gives me warm fuzzies. I think most everyone has a story to tell, and if they want to work at it hard enough and long enough to tell it very, very well, then they should be able to find an audience for that story and someone willing to pay them for it.

But it can be discouraging, I know, to work for so long on a project with no certainty of it ever sitting on a bookshelf with its own cute little ISBN barcode.

Luckily, there’s some encouragement to be had. Fantasy author Jim Hines recently conducted a survey of 246 published sci-fi/fantasy authors about how they sold their first books, and the full results of that survey are now posted on his blog. Here’s the link to his awesome work, please check it out.

Though it’s obviously skewed toward sci-fi/fantasy authors, it contains information that should be useful to everyone, and busts a few pervasive myths. I’ll highlight a couple of them here and throw in my personal, anecdotal info.

Busted Myth #1: You have to sell short fiction first. 
Out of 246 authors, 116 sold a book without ever selling a short story. That includes me. (I participated in Jim’s survey.)

Busted Myth #2: Traditional publishing is dead, self-publishing is the way to go.
Not so much. There are huge, isolated success stories—Christopher Paolini is the one that comes to mind—but the key word here is isolated. Those kinds of success stories are anomalies. Out of the 246 surveyed authors, only one self-published first before getting picked up by a major publisher.

Busted Myth #3: You have to know someone in the business to get published.
140 of the authors (over half) had no contacts at either their agency or their publisher before making their first book sale. I’m one of those. I know four whole people in the industry now, but I still haven’t met them in person: I know my agent and a colleague of his, and I know my editor and assistant editor at Del Rey. But I “met” my agent through a query letter. And I didn’t “speak” to my editor until my agent made the deal. So the proof is there and it’s solid: you can get into this business based solely on the power of your written words.

There are many more nuggets of golden info to be found in the survey—I highly recommend it—but here are the last couple of stats I’d like to point out: It seems most of the authors sold their first books in their mid to late 30’s. (I was 38 at the time of the sale.) And while 58 authors sold the first book they ever wrote, many wrote 2-4 books before they got their first sale. I wrote two other books before I wrote Hounded and learned so much in the process. I also learned quite a bit from the process of writing Hounded; I wrote the next book in the series more quickly and it didn’t require as much editing.

Hopefully this info will encourage some of you on your journey to getting published!

writing

Enormity of a novel vs. wee little goals

If someone says unto thee, “I must have your completed novel in five months. Begin,” what you would begin is not a novel at all, but an epic freakout over the impossibility of the demand. The number of words involved—75,000-120,000, depending on your book—boggles the mind and shuts down the engine of the little train who could.

So don’t think about that. All that will get you is a plate of roasted fail drizzled in a savory fail sauce and served with a side of fail.

Instead, think about all those people in November who write novels in a month. And think about writing the equivalent of a three to five-page paper each day until you’re finished, the kind your English teacher made you write. About a thousand words per day. You can do that. It’ll take you a couple of hours, maybe three. Plus you can hold down a day job. You might not get to watch TV, but what you’re writing is better than anything on TV anyway, right? Maybe on a weekend you could write more than a thousand. If you were super diligent about that, you’d have a 90,000-word novel in three months.

But you’re not going to be super diligent, because you have a life. Or if you don’t, I’m sure you’re trying to get one. That’s okay, I highly recommend having a life. You can take off a day or two here and there and still make your deadline in five months. And you know what? The year’s not even half over! You can write another novel before the year is out! You can even take two months off for a backpacking trip across Europe and then come home and write a novel about it!

The first novel of my series, Hounded, took me over a year because I didn’t have a deadline and I was attempting to have a life. I left it alone for weeks, even months at a time because there wasn’t any urgency. After I got a contract, I wrote much more quickly. :) I wrote the second book in five months. Now I’m already a third of the way through writing the third book and I have until July to finish it. The practice helps, and the deadline helps a lot.

So give yourself a deadline and start practicing. If you’d like to see how long many Sci-fi/Fantasy authors worked at getting published before selling their first book, check out this handy-dandy info here courtesy of fantasy author Jim Hines, who surveyed 246 SF/F authors and crunched the numbers. You’ll see that some of them worked a long, long time. Decades. Some of them, on the other hand, sold books after a just a few years. None of them ever gave up. My data is in that survey; I wrote for 19 years before I sold my first book. If you’re an aspiring writer, I hope you’ll be one of those who sells theirs quickly—but if the time of “quickness” has already passed for you, I hope you’ll keep working anyway—the practice helps.

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Kinda Sorta Firm Publishing Dates!

Today I got the word on when my books will be coming out! I’ve known for a long time that they’d be out sometime in 2011, and I’ve known that they’d be published back-to-back-to-back (that’s b2b2b if you wanna use publishin’ jargon), but I didn’t know any more than that. Now I can give you a clearer picture:

HOUNDED in May 2011
HEXED in June 2011
HAMMERED in July 2011
Hopefully everyone will have enough time to save up $7.99 plus tax by then. :) Once I get firm dates I’ll post that too, but it will probably be a few more months. I can, however, practically guarantee that it’ll be a Tuesday!
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Copy Editing

I’m copy editing HOUNDED now and it’s a hoot. I haven’t been critiqued on my writing in this manner in a long time. The editor has found several verbal tics of mine and I find it fascinating. I’m about 70 pages into it or so, and I’m hoping to get most of it finished this weekend.

I have other things to do, after all.

There’s a squirrel named Ratatosk that needs sorting out in HAMMERED.

There’s a map of Asgard to create, and research to conduct.

Plus, playoffs! Yeah!

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Beginnings

Now that I’m starting my third book, I’m beginning to notice a pattern. Beginnings are really, really tough for me compared to other parts of the book. I’m talking about the amount of revision and fiddling I do with it—not the raw creation.

I’ve revised the first paragraph of HAMMERED at least ten times already. I know what I want to say; finding the most elegant way to say it is the tough part. The first sentence, especially, has endured major reconstructive surgery. When the book is finally published, people will never know (unless they read this) that I spent a couple of hours on it, trying and discarding much more complex sentences before settling on a relatively simple one.

Once I get the plot firmly rolling, however, I rarely revise much; just a sentence here or there, usually. No single part of the book gets the attention that my opening chapter does.

HOUNDED’s first few pages went through 24 different versions before I finally left it alone—and that’s only because my editor told me to. I’d still probably still be hacking away at it if she hadn’t told me to leave it.

Speaking of which, I’m supposed to get my Copy Edits on January 14. Can’t wait!

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Progress Report 2

HOUNDED was formally accepted on Dec. 9, and now it’s going to the copy editing stage. I’ll be receiving the copy edited manuscript on Jan. 14, and I have to return it with my corrections/amendments by Jan. 27.

I’m at 70,000 words on HEXED, and I’m hoping to finish it up this week. Right now there is coffee to drink and presents to unwrap, and later there is Sherlock Holmes to enjoy. :)

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Editing is pretty darn fun

Today I finished my first round of edits on HOUNDED. I have no idea how many more rounds I have to go, but the first round was so much fun that I’m not concerned about it continuing for a while.

I also finished a pronunciation guide for the Irish names and words in the book, and in the opening explanatory paragraph I decided to substitute the cliche “rain on your parade” with “steal your marshmallows.”

I think having your marshmallows stolen would be infinitely worse than having your parade graced with a little precipitation. If you can’t watch the parade—or march in it, for that matter—then there are infinitely more entertaining things to do, because parades aren’t all that swell, to be honest, and dang if Arizona can’t use the rain. But if someone steals your marshmallows, then your day is ruined, period.

So say we all.

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In the old stories, everybody died

I shocked my students yesterday when I told them that stories didn’t used to have happy endings. Before the corporate giant of Disney, the bad guys used to win, because the tales reflected the truth of the world: the powerful ate the weak.

Little Red Riding Hood was eaten by the Big Bad Wolf, and the same wolf ate the first two of the three little pigs.

The Little Mermaid died in Hans Christian Andersen’s original tale; she didn’t get married and sing happy songs with crustaceans.

Goldilocks? The bears ate her. Hansel & Gretel? All cooked crispy in the witch’s oven.

And fairies, by the way, aren’t cute little creatures with wings that want to help out Peter Pan and sprinkle children with pixie dust so they can fly. One of the reasons I wrote HOUNDED was to depict fairies as the heartless enemies of man they originally were in Irish legend.

Perhaps Disney’s most infuriating episode of meddling with the past is Pocahontas. The real Pocahontas died at age 22 of tuberculosis or pneumonia. She didn’t live happily ever, painting with all the colors of the wind with her raccoon and hummingbird friends.

Sorry, kids, I don’t mean to be mean: I just think Disney’s like high fructose corn syrup. It’s not real, it’s not good for you, and you shouldn’t swallow any of it.

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Disco Fries!

Today I learned about Disco Fries. It’s not something you can routinely find in Arizona, or I would have heard about it by now.

Disco Fries are french fries with gravy and cheese on top. In Canada they call it poutine. Here’s the link, son!

I learned about Disco Fries from my agent. I think I’ll have to try some when I go to New York next summer, just to say I’ve had them.

But I have other excellent news: HOUNDED, HEXED and HAMMERED will be audio books published by Random House Audio! Since Random House owns Del Rey, the opportunities for synergistic marketing are strong, and I’m so happy that people in the publishin’ world seem to dig Atticus and Oberon.